This film proves that the rich cinematic style of Almodóvar transcends all kinds of language barriers. 

Under Streetlights is an appealing feel-good film from Australia’s outback core, and a triumph of independent Aussie filmmaking.

Out of Season is a strongly executed film that delivers a plot constructed from a reality of regret, offering strong performances and beautiful cinematography.

Ronan never fails to execute a stellar performance, and The Outrun is no exception.

My Favourite Cake is a devastatingly bittersweet film about late-life romance in Tehran. 

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Agnieszka Holland’s film Green Border (2023) is a harrowing but captivating story of  the journey of a family of Syrian refugees, as they travel towards the European Union.

Subverting expectations and blending genres, Your Monster is an endearing love letter to the ones who’ve had their hearts broken, and gives them permission to embrace their fury. 

Heretic is a film of two clashing identities. One is a simmering rumination on the evolution of modern day spirituality, and the other is a relatively by-the-numbers basement chiller.

Rise, musical theatre kids!

Gladiator II is an ambitious film in desperate need of a shorter run time, but elements of creativity shine through.

Goodrich may not be particularly groundbreaking, and there are definitely other slightly better movies out there like it. However, it’s so endearing that it is impossible not to be charmed, with Keaton being the pièce de résistance.

As the saying goes, the journey is more important than the destination, which makes it a shame that Blitz feels more like a scrapbook of contrived wartime escapades. 

Eva Nathena’s debut feature film, Murderess, adapted from Alexandros Papadiamantis’s classic novel I Fonissa, offers a hauntingly raw portrayal of femicide, intergenerational trauma, and the weight of patriarchal societies in early 20th-century Greece.

If you’re into switch-off-and-enjoy movies, ruining professional relationships, hilarious flashback montages, and alcoholic priests, then Hear Who’s Talking is the film for you. 

Here unfortunately stands as an excessively shmaltzy affair incapable of capitalising on the potential of its intriguing premise.

Kneecap follows a fictionalised origin of the Irish rap group Kneecap, pioneered by brothers Liam Óg and Naoise Ó Hannaidh.

Unbreakable is a celebration of Dokic as both a player and a person, cementing herself as one of the greatest names in tennis and a true role model.

Memory is bleak and hopeful at the same time, anchored by two excellent performances and a tender approach that takes its subject matter seriously. It demands patience and won’t be for everybody, but succeeds nevertheless. 

Smile 2 is a worthy sequel that, while not quite as groundbreaking as its predecessor, still offers plenty of great elements.