It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

Margherita Vicario’s directorial debut is a lively feature that sings with heartfelt moments and comedic witticisms alike, pulling audiences in for a story that is nothing short of glorious.

Prima Facie is a play that refuses to be taken at face value.

Drawing out the melancholic chaos of its cinematic counterpart, The Penguin’s premiere episode enables a seamless transition in format – offering a richly textured character study which hooks you from minute aught. 

If you like pretty Italian towns then you might find some enjoyment, but if you're looking for a compelling film I suggest you look elsewhere.

It's hard to say how the film will be received by audiences now, but it is sure to have an impact.

If you’re into Aussie battlers, beautiful Australian scenery, cute speedy dogs, and blatantly crying your heart out in public then Runt is the film for you. 

Yikes. Just yikes.

 I don’t know if I will ever get to watch Us and the Night again given its unique formatting and distribution, but it’s quite radically put my love of film into perspective.

Through the Summer of 1991 in rural Massachusetts, the unapologetic yet awkward 11-year-old Lacy (newcomer Zoe Ziegler) is entrenched in the captivating orbit of her mother Janet (Julianne Nicholson).

A quietly ambitious work sure to attract allegations of pretension, Raven Jackson swings big in All Dirt Roads Taste of Salt.

If there was ever a flick to skip the popcorn on, it’s this one. Coralie Fargeat’s latest film, The Substance (2024), is a stomach-churning concoction of body horror and comedy that makes for an insanely monstrous watch.  

I’m tempted to call this a modern Macbeth.

Memoir of a Snail is an absolute triumph, cementing Elliot as a visionary and one of the best in his field.

It’d be easy to label Abiding Nowhere as tranquil and meditative, as it certainly is, but I still see so much of Ming-liang’s earlier passion present in the form of this late-stage mellowness.

Director Jane Schoenbrun impresses with I Saw The TV Glow - a horror flick which is only half-scary but full heartbreaking.

Whilst applaudable in its attempt to meld lycanthropy with modern-day political concerns, Blackout is a poignant character study hampered by heavy-handed exposition which renders its bark worse than its bite.

Colleen Hoover’s controversial smash hit novel, It Ends With Us, has just hit theatres in all its soapy Hallmark glory.

The second feature from Mexican director Lily Avilles, Tótem, is an incredibly assured and mature film that depicts the emotional intimacy and fragility of an extended family dealing with loss. 

The events that took place in the Stuljema mines in 1907 are as inspiring as they are fascinating; they deserve a great film adaptation, The Riot is not this.