If you’re into Aussie battlers, beautiful Australian scenery, cute speedy dogs, and blatantly crying your heart out in public then Runt is the film for you. 

From my formerly substantial experience with the Transformers fandom I can say that this will please them, and whether you choose to interpret that as an indictment on them is up to you!

If you’re going to see one animated robot film this spring, check out The Wild Robot.

Bookworm is a delightful ride that offers the humour, heart and thrills of the best old-fashioned adventure films, while remaining grounded and character-driven. 

Despicable Me 4 is a statement to the world of cinema. It doesn’t matter how mediocre your film is, if it has Minions… the children will come.

Inside Out 2 is another easy home run for Pixar, especially when it has a strong message that everyone can relate to.

It’s a light summer breeze of a film clearly aimed to bring joy to both parents and kids whilst still telling a compelling story, so some kind of deep underlying metaphor is unnecessary. Just go have fun watching a cartoon dog and a robot roller-skate to Earth, Wind & Fire! Your brain deserves a break.

As it is, Kung Fu Panda 4 is a worthy sequel and enjoyable film, even if it doesn’t quite live up to its potential.

Migration is not trying to elevate the road trip comedy or be innovative for animation. Its goal is to entertain families and make kids smile. Movies need to do that more.

Teenage Mutant Ninja Turtles: Mutant Mayhem is made with passion and love for the franchise, offering a familiar but modern perspective about a group of kids who just want to fit in and throw ninja stars.

Offering up serviceable (if more than a tad messy) family fun, Haunted Mansion comes close to recapturing Disney's straight to home video glory, complete with a dance party finale.

Elemental shines is in its ability to gently guide you to realise the film’s crux yourself, and in the meantime, present you with vivid characters, fun antics and gorgeous animation along the way.

Rob Marshall’s The Little Mermaid truly feels like the culmination of Disney live-action remakes from the last few years. But this remake once again reminds us how unnecessary they are.

Story comes second and spectacle takes centre stage in The Super Mario Bros. Movie.

What are you expecting from a Sony rendition of a decades old kid’s cartoon strip about a singing crocodile, adapted for the big screens for 2022 with Shawn Mendes taking the lead as the titular Lyle, the crocodile?

Offering a slice of pulpy, moralistic sci-fi that feels like a throwback to before 2D animation had died, Strange World is good, lighthearted fun, gesturing gently at the hard-headed nature of father-son relationships.

Happy Disney+ Day.

How far can you take the idea of a talking shell who wears shoes and stands one inch off the ground? Well, with the help of many celebrity cameos, dozens of viral videos, and a documentary maker with too much time on his hands, apparently there’s no limit. 

Set in the swingin’ 60’s, yet again following the hijinx of the minions after finally finding their purpose at the close of Minions, they immediately lose Gru again and retread the American countryside, this time to San Franbisco. 

A “quirky and unique spin on the animated fairy tale genre” that is actually just as cliche as the rest of them.