Prima Facie is a play that refuses to be taken at face value.

For those of you who are pro lesbian rights and pro lesbian wrongs, The Origin of Evil is the perfect Friday night French flick with all the lesbians, major plot twists, and tea you need!

From the producers behind The Worst Person In the World, comes one of the best features in the world… about the ACTUAL worst person in the world.

The 2023 Winner of the Online Film Critics Society Awards for the Best Non-U.S. Release, it’s clear that Everybody Loves Jeanne is winning hearts around the world!

Offering up a gold rush of entertaining action and ridiculous predicaments for its masochistically macho protagonist to fight through, Sisu mostly sticks the landing in delivering a satisfying and fist-pumping cinematic experience.

Alcarràs is a moving piece of cinema that will quietly consume you for its two-hour runtime with feelings of awe, anticipation, some chuckles, and empathy for the farmers that put fruit into our homes.

Talk to Me is another solid addition in the outback horror canon - a beating heart, pumping with fresh blood.

Two Many Chefs (2022) is Joaquín Mazón’s new comedy film that has heart but loses its edge with repetitive jokes and lazy storytelling.

You’d be hard-pressed to say that its intended audience of older, weekday-matinee filmgoers won’t be satisfied by watching a canonised movie star like Neeson doing his thing as a 1930’s detective. Just don’t expect to be wowed by its stunning execution or originality.

This film, meditative and delicate in its portrayal of two queer men in a muslim country, is important for people being pushed to the margins by ideology that is outdated and homophobic and is therefore an important moment in African cinema, not to be missed.

EO is a bold and bray-ve exploration of modern Europe through the eyes of a circus donkey who embarks on a long and lonely journey.

Beaten to Death is an uncompromising and particularly nasty slice of Ozploitation that mostly delivers on the bluntness of its title, with a few neat cinematic tricks up its sleeve.

The Outwaters is a found-footage horror film that takes the genre to new extremes of experimentation.

Zillion tells the story of the exhilarating rise and fall of visionary entrepreneur Frank Verstraeten, the man responsible for creating and owning – for a time – Belgium’s most chaotically electric nightclub.

Quantum Cowboys is a bold expedition into the Wild West, the mind-boggling multiverse, and the very capacity and parameters of the cinematic form itself.

If you’re a fan of Pearl’s previous instalment X and expect it to have the same gritty, slasher, exploitation elements to the story, then you may have to limit your expectations for this film.

Oliver Hermanus’ Living is a film that doesn’t ask for much. It simply wants the audience to observe.

To Leslie is a very old-fashioned human drama; a straightforward character study with modest ambitions and a complete disinterest in modern trappings of spectacle, metacommentary, or narrative obfuscation.

All the Beauty is this wonderful study of the marginal, of someone with a heart uncorroded by time in the halls of power, who leverages the success of their life’s work to take on a pure, irredeemable evil.

Despite Ward and Colman’s impressive performances, and some beautiful Roger Deakins cinematography, Empire of Light is unfortunately weighed down by a messy screenplay that can’t untangle itself before the credits.