Meet the Leroys (Nous, les Leroy), the directorial debut of Florent Bernard, is a 102-minute French dramedy that explores the emotional toll of divorce on an entire family.

if you’re into making a mockery of death, ethereal dancing, classical art allegories, and ‘tacky’ playlists then They Will be Dust is the film for you. 

What stands out the most is the ironically loud message of Julie Keeps Quiet.

Though Queer has all the ingredients of a great drama, its delivery misses the mark. 

If you enjoy thoughtful films and would like to explore a movie that doesn’t follow the “rules”, or give everything to you on a silver platter, this may be the perfect film for you as you escape the hot summer weather with a drink and an ice cream in an air-conditioned theatre.

Reijn suggests that pleasure has an interstitial quality, making it neither good nor evil, only a key part of life.

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

We Live In Time is a contemplative and slow-burning exploration of love, time, grief, and the human condition.

“What lies beyond” Moana 2’s eye-catching animation and lavish island and ocean scenes, is a celebration of culture and identity that Disney has somehow gotten right after so many ill-fated attempts at representation in recent times.

For the fans, Sonic 3 remixes and updates one of the most popular Sonic adventures in ways that bring a new speed to a classic narrative.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

Anora is a technical masterpiece - Baker’s approach to casting leads the audience to believe they’re watching a documentary instead of a drama.

In Parthenope (2024), Paolo Sorrentino explores youth, beauty, and the fleeting nature of desire, in an homage to the intoxicating allure of the Mediterranean coast, and living in the shadow of the male gaze.

It's passionate, isolating, creepy, and more than a little sexy.

This film proves that the rich cinematic style of Almodóvar transcends all kinds of language barriers. 

Under Streetlights is an appealing feel-good film from Australia’s outback core, and a triumph of independent Aussie filmmaking.

Ronan never fails to execute a stellar performance, and The Outrun is no exception.

My Favourite Cake is a devastatingly bittersweet film about late-life romance in Tehran. 

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Subverting expectations and blending genres, Your Monster is an endearing love letter to the ones who’ve had their hearts broken, and gives them permission to embrace their fury.