The phrase gets thrown around a lot these days, but Mission: Impossible - The Final Reckoning really does demand to be seen on the biggest screen possible.

The Surfer’s dysphoric madness is purposeful, its structure disorienting, and its central performance unapologetically feral. But for those willing to paddle out into deeper, more turbulent waters, it truly stands as a mesmerising devolution into psychedelic bedlam.

For those looking for horror cinema that mostly leans on the goofy side while also delivering on some serious gore, Final Destination: Bloodlines is just what the coroner ordered.

Clornfield knows exactly what it is and isn't self conscious about it, playing out like an R-rated episode of Scooby Doo, complete with some lean and mean kills […]

The cast of Thunderbolts* being played as antiheroes does a decent job of shaking up the superhero formula enough, while remaining true to its roots for fans of the genre.

There are a few funny jokes and the ending is very sweet, but they unfortunately they can’t save this banquet from feeling like a slog.

Tall Tales might not be as grandiose as its title would suggest, but the real scale lies in its ambition.

Amarndo Iannacci and Sean Foley’s theatre adaptation of Dr. Strangelove is a fun but somewhat lacklustre spectacle.

There is a lot to like about Sinners for any movie-goer.

Sword of Silence believes in the strength of [its] ‘unique’ visual style to carry the film’s shortcomings, which unfortunately still manage to detract from the feature’s overall potential.

Warfare does an incredible job of fulfilling what its creators set out to do: to present the SEALS in as authentic a way as possible, and simulate a real life combat scenario.

If the goal of A Minecraft Movie is to entertain fans of the game and their parents while turning a profit, then based on the crowd's reaction, the movie does its job.

Fantastic Film Festival Australia (FFFA) is back for its 2025 programming, and cinephiles with a taste for the experimental, esoteric, and independent, brace yourselves!

The conflicting adaptation of Tom Michell’s memoir, The Penguin Lessons, swerves between a lighthearted comedy and political drama.

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

Small Things Like These is a poignant title for an arresting film, as it’s the little uncomfortable things director Tim Mielants wants you to become familiar with.

It’s a post-Bluey world and children deserve better from animated dog properties, let alone adults who might be drawn in by Dog Man’s appealing art.

The Count of Monte Cristo, directed and written by french duo Alexandre de La Patelliere and Matthieu Delaporte, is a three hour epic worthy of the source material.

James Ashcroft’s The Rule of Jenny Pen is a slow-burn psychological horror that trades in gore for something far more insidious - helplessness.

Looney Tunes: The Day the Earth Blew Up is a delightful, high-energy adventure that stays true to the heart of what makes the franchise so beloved.