The Promised Land sheds light on a dark but important part of Denmark’s history. It is a superbly made film that is boasted by powerful performances and the strength of Mikkelsen’s screen presence. 

Foreign Language seems to be the ultimate story of the girlhood experience.

While the 87-minute-long film at times moves at a glacial pace, the stunning cinematography by Claire Mathon (Portrait of a Lady on Fire) and the eerie strings of Mahler's Symphony No. 5 fuel the rising tension and keep the audience engaged.

This is ultimately a film about power and rebellion, and it is within the interplay of the two subjects that it shines.

If you’re into German language biographical films set in Berlin, offbeat heroines, and sobbing until your eyes are red then From Hilde, with Love is the film for you.

Being able to see such a beautiful restoration on the big screen is worth the price of admission alone, and I could not recommend The Conformist more.

Based on his 2017 short film of the same name, Alberto Corredor’s Baghead is a horror film about a young woman who inherits her father's pub, only to find out there's a supernatural entity in the basement with the ability to take on the form of dead loved ones.

World cinema can bring us a film like this: a tiny love story, from a country you may never visit, dressed up like an anti-capitalist screed.

Can truth reveal itself in Perfect Days? Or is it a beautiful simulacrum, contemporary Japan through the gaze of the international film market?

Beautifully acted with two contrasting performances, Compartment No.6 subtly conceals its themes behind sharp, rapid dialogue and terrific sense of spatial continuity. 

Following the true story of 21-year-old Jewish graphic artist Cioma Schönhaus as he tries to survive day to day living in Nazi Occupied Berlin in 1942, The Forger is a harrowing story of deception and survival with a surprisingly optimistic protagonist.