Dome House Six scared me for the first time in a long time, and I didn’t even realise I was terrified until I felt the sweat built across my forehead.

Above the skies of Brazil, seemingly innocuous pink clouds signal the beginning of a looming terror and an issue that lingers for years. Can humans adapt and survive without the socialisation, fresh air, and “normality” we’ve come accustomed to?

Is nostalgia bad? LandLocked’s narrative enterprise seems to be based around an impression of nostalgia as a destructive force that, in the movie’s world, is the primary antithesis of change or progress.

The Green Woman meanders through a story of relationship problems and addiction, asking its audience to put the visual and storytelling problems aside for a third-act reveal.