If you’re looking for a bit of lighthearted fun, One of Them Days is one release you won’t want to miss!

Steven Soderbergh continues his prolific ‘post-retirement’ run with Black Bag, a tightly-wound spy thriller that is as cleverly composed as it is devilishly paranoid.

From a young age, the film stuck in my mind as undyingly sympathetic, and upon my revisiting it recently, I love it more than ever as not only the purest demonstration of Lynch’s ability to thrive within the studio system, but also the directorial attention to his own idiosyncratic way of loving the people of the world around him.

The Monkey is a weird and fundamentally unserious, yet somehow still kind of moving experience. The end result is an absolutely fantastic time at the movies, a testament to taking wild career swings and giving the audience the maximum bang for their buck in terms of entertainment value.

Bridget Jones: Mad About the Boy is a tale bound to resonate with every woman’s experiences.

The Last Showgirl is a reflection on how the end is just the beginning, and the whimsy of girlhood can persevere into womanhood.

Heart Eyes is certainly a commendable addition to the horror-comedy genre, offering a refreshing take on the slasher formula without reinventing the wheel.

Stephen Soderbergh […], makes a return to experimental filmmaking with Presence: a modernised ghost story serving as a deliberate subversion of the genre itself.

Though Queer has all the ingredients of a great drama, its delivery misses the mark. 

Reijn suggests that pleasure has an interstitial quality, making it neither good nor evil, only a key part of life.

Dating and relationships, especially in the modern world, can be a real horror.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

“What lies beyond” Moana 2’s eye-catching animation and lavish island and ocean scenes, is a celebration of culture and identity that Disney has somehow gotten right after so many ill-fated attempts at representation in recent times.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

Anora is a technical masterpiece - Baker’s approach to casting leads the audience to believe they’re watching a documentary instead of a drama.

It's passionate, isolating, creepy, and more than a little sexy.

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Agnieszka Holland’s film Green Border (2023) is a harrowing but captivating story of  the journey of a family of Syrian refugees, as they travel towards the European Union.

Subverting expectations and blending genres, Your Monster is an endearing love letter to the ones who’ve had their hearts broken, and gives them permission to embrace their fury.