This film proves that the rich cinematic style of Almodóvar transcends all kinds of language barriers. 

It’s a light summer breeze of a film clearly aimed to bring joy to both parents and kids whilst still telling a compelling story, so some kind of deep underlying metaphor is unnecessary. Just go have fun watching a cartoon dog and a robot roller-skate to Earth, Wind & Fire! Your brain deserves a break.

Alcarràs is a moving piece of cinema that will quietly consume you for its two-hour runtime with feelings of awe, anticipation, some chuckles, and empathy for the farmers that put fruit into our homes.

Two Many Chefs (2022) is Joaquín Mazón’s new comedy film that has heart but loses its edge with repetitive jokes and lazy storytelling.

You’d be hard-pressed to say that its intended audience of older, weekday-matinee filmgoers won’t be satisfied by watching a canonised movie star like Neeson doing his thing as a 1930’s detective. Just don’t expect to be wowed by its stunning execution or originality.

Personally, the whole meta-inception-story-within-a-story is not my usual cup of tea. However, Official Competition doesn’t fade into using conventions of the trope. What separates it, is that rather than focusing on production and the movie-making process it's focused entirely on the actors and their craft. 

Featuring four of Spain’s most exciting young film and TV stars, first-time director Carol Rodríguez Colas’ Girlfriends is a fresh, sincere depiction of what it means to come to terms with who you are.

The debut fiction feature from director Macarena Astorga, The House of Snails is a slow burn psychological thriller filled with twists and turns that will have you on the edge of your seat.

The Good Boss works very well as a corporate satire, with biting insights into how powerful people manipulate those around them in order to maintain said power, but it wouldn’t be the same without the central performance from Javier Bardem, who makes the film endlessly watchable and entertaining.