Rasoulof brings the audience directly into Tehran - this film will most likely be the closest thing we’ll ever have to see into the lives of those who have been oppressed in Iran.

Inside is a well-directed debut feature that is unforgiving, and filled with stand out moments from the whole cast.

Visually, this film feels like a masterclass of instinctive storytelling.

Dating and relationships, especially in the modern world, can be a real horror.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

Heretic is a film of two clashing identities. One is a simmering rumination on the evolution of modern day spirituality, and the other is a relatively by-the-numbers basement chiller.

Overall, Terrifier 3 proves that a little Yuletide seasoning and some punchy editing go a long way to finally giving Art the film he clearly deserves, a raucous and thoroughly cruel slasher fiesta that's sure to be a Halloween season hit.

It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

SK Dale’s direct-to-streaming suckfest Subservience, […] dares to ask the brave question “what if we made the robot… sexy?”

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.

This film is a functional enough directorial start for Kravitz, but Blink Twice could have used a little more time in the oven.

Emerging from the festival circuit in all its adrenalised glory, Strange Darling is a nightmarishly visceral masterclass in subversion which keeps you on your toes from the get-go.

The result is a refreshingly modern and idiosyncratic film that feels almost antithetical to the filmic formula that the studio system often caters for, and left me excited that a filmmaker like Shyamalan is still exercising his creative hand in original and tonally ambitious ways. 

For those willing to embrace its unique approach, Nash's film offers an off-kilter and strangely beautiful experience.

Grab your popcorn, silence your phone, and sit down for A Quiet Place: Day One - just don’t expect it to leave you anywhere near as speechless as its survivors.

Longlegs still manages to stand out despite the abundance of highly effective and artful horror we are afforded in the modern era.

Much like its predecessor, Twisters is an exhilarating Spielbergian spectacle which showcases the sheer vehemence of nature’s fury.

If you like the Violence! Blood! and Guts! of a John Wick clone then your desires will be met in spades here.

To put it bluntly, The Exorcism is an atmospherically stagnant cinematic offering akin to a long walk down a windy beach to a café that isn’t open.