The Monkey is a weird and fundamentally unserious, yet somehow still kind of moving experience. The end result is an absolutely fantastic time at the movies, a testament to taking wild career swings and giving the audience the maximum bang for their buck in terms of entertainment value.

Heart Eyes is certainly a commendable addition to the horror-comedy genre, offering a refreshing take on the slasher formula without reinventing the wheel.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

It's passionate, isolating, creepy, and more than a little sexy.

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Heretic is a film of two clashing identities. One is a simmering rumination on the evolution of modern day spirituality, and the other is a relatively by-the-numbers basement chiller.

Smile 2 is a worthy sequel that, while not quite as groundbreaking as its predecessor, still offers plenty of great elements.

Overall, Terrifier 3 proves that a little Yuletide seasoning and some punchy editing go a long way to finally giving Art the film he clearly deserves, a raucous and thoroughly cruel slasher fiesta that's sure to be a Halloween season hit.

It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

SK Dale’s direct-to-streaming suckfest Subservience, […] dares to ask the brave question “what if we made the robot… sexy?”

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.

All in all, Alien Romulus is a worthy - if conflicting - addition to the franchise.

For those willing to embrace its unique approach, Nash's film offers an off-kilter and strangely beautiful experience.

Kinds of Kindness is a film that, while not without its immature and edgy side that seems cultivated purely to provoke, leaves you thinking long after the credits roll.

Grab your popcorn, silence your phone, and sit down for A Quiet Place: Day One - just don’t expect it to leave you anywhere near as speechless as its survivors.

Longlegs still manages to stand out despite the abundance of highly effective and artful horror we are afforded in the modern era.

There's a decent helping of funny-bad horror movie moments that include a particularly saucy burger, the ol’ spontaneously exploding motorcycle trick, and a singular rat being treated as if it's the most terrifying creature on the planet, but the overall experience is about as satisfying as eating soup with a fork.

Not so much applying brakes to the franchise as it is shifting gears, Furiosa is a triumphantly Aussie blockbuster.

The Deep Dark just doesn’t quite dig deep enough, uncovering a hole that's barely big enough to bury itself in.