Longlegs still manages to stand out despite the abundance of highly effective and artful horror we are afforded in the modern era.

Much like its predecessor, Twisters is an exhilarating Spielbergian spectacle which showcases the sheer vehemence of nature’s fury.

If you’re an avid fan of horror films and especially love slashers, this is the film for you; if I’m not describing you, but you’re willing to give it a shot, you’ll find a fun ride of a movie with a few laughs and thrills along the way!

Fly Me to the Moon is a trip definitely worth taking. Audiences will come for the thrills of space, but stay for the moving and human story at its centre. Whether you’re a rom-com fan, a space nerd, or a conspiracy theorist, there’s something here to satisfy everyone.

The Bikeriders is a great nostalgia trip to an age of motorcycle riding that many have never experienced. But by its end, you’ll consider spending your EOFY money on a new bike—or at least a leather jacket.

The Convert wasn’t perfect but its visuals and depiction of the way of life for people in Aotearoa at the time will continue to leave its mark on me.

Despicable Me 4 is a statement to the world of cinema. It doesn’t matter how mediocre your film is, if it has Minions… the children will come.

If you like the Violence! Blood! and Guts! of a John Wick clone then your desires will be met in spades here.

There are whispers of a great movie in The Watchers, with Ishana’s directorial eye occasionally shining through the film’s middling aspects, however at present her directing style feels imitatively beholden to superficial notions of M. Night’s storytelling sensibilities, and I’d love for her to find her footing amidst the depths of the forest.

The Promised Land sheds light on a dark but important part of Denmark’s history. It is a superbly made film that is boasted by powerful performances and the strength of Mikkelsen’s screen presence. 

Inside Out 2 is another easy home run for Pixar, especially when it has a strong message that everyone can relate to.

To put it bluntly, The Exorcism is an atmospherically stagnant cinematic offering akin to a long walk down a windy beach to a café that isn’t open.

Foreign Language seems to be the ultimate story of the girlhood experience.

There's a decent helping of funny-bad horror movie moments that include a particularly saucy burger, the ol’ spontaneously exploding motorcycle trick, and a singular rat being treated as if it's the most terrifying creature on the planet, but the overall experience is about as satisfying as eating soup with a fork.

At the end of the day this is a reasonably satisfying and serviceable entry in the series, a Jerry Bruckheimer production through and through, and possibly my second favourite behind Bad Boys II.

While the 87-minute-long film at times moves at a glacial pace, the stunning cinematography by Claire Mathon (Portrait of a Lady on Fire) and the eerie strings of Mahler's Symphony No. 5 fuel the rising tension and keep the audience engaged.

Rewatching The Phantom Menace sent me far beyond the realms of good or bad; I left with an admiration for a deeply strange film, and a slight cynicism that we may never quite see the likes of it again.

Not so much applying brakes to the franchise as it is shifting gears, Furiosa is a triumphantly Aussie blockbuster.

The Deep Dark just doesn’t quite dig deep enough, uncovering a hole that's barely big enough to bury itself in.

This is ultimately a film about power and rebellion, and it is within the interplay of the two subjects that it shines.