Killers of the Flower Moon is not only a landmark film for Scorsese as a filmmaker but also tells the story of a horrific time in American history, surrounded in shame and regret.

Serviceable but not particularly functional, Five Nights at Freddy's is a horror film that's as clunky and awkward as the lumbering animal robots it revolves around.

While Twin Peaks: Fire Walk with Me is not the most audience (or even fan) friendly experience around, it's a devastating look at a life cut short.

Despite some initial promise, The Exorcist: Believer is a half-hearted attempt at best, and complacent with mediocrity at worst.

Blue Beetle is peak escapism and enjoyment, setting an interesting tone for where James Gunn and Peter Safran take the DC universe next.

Few things in cinema are as certain as the Liam Neeson action movies released at least once or twice a year for the past decade and a half.

Overall, It Lives Inside illustrates itself to be a unique conceptual endeavour which struggles under the weight of its own potential. Although somewhat competent in facets of its execution, it ultimately sabotages its potency and settles upon a derivatively restrained final product which unfortunately struggles to leave a lasting impression.

Kenneth Branagh has given audiences a mixed bag with A Haunting in Venice. The film offers nothing new in terms of mystery or thrills, and wastes it’s strong ensemble cast, which is the real disappointment.

While The Nun II isn't exactly breathing new life into the genre, horror fans should find themselves satisfied, offering a course correction after the first entry underwhelmed.

Teenage Mutant Ninja Turtles: Mutant Mayhem is made with passion and love for the franchise, offering a familiar but modern perspective about a group of kids who just want to fit in and throw ninja stars.

Written and directed by Celine Song, Past Lives centres on Nora (Greta Lee) and Hae Sung (Teo Yoo), former childhood sweethearts who reunite after 24 years.

Offering up serviceable (if more than a tad messy) family fun, Haunted Mansion comes close to recapturing Disney's straight to home video glory, complete with a dance party finale.

Voyage of the Demeter's real problem is that the audience already knows where the map leads, and the film does little in its way to add any bite.

Authentic trans storytelling is important, and this film certainly delivers! Mutt is a MIFF must-see for trans people and allies alike.

For all of its idiosyncrasies, Asteroid City is an out-of-this-world homerun for its director, ranking up there with Wes' very best.

Gran Turismo is a video game film that has a great universal message: no matter how impossible your dreams may be, they can still be achieved - and the first step to that dream is buying a PS5.

Time Bomb Y2K delivers an earnest archival examination, unraveling the intricacies of the Y2K phenomenon – delving deep into the global anticipation for a potential digital doomsday.

Offering up a gold rush of entertaining action and ridiculous predicaments for its masochistically macho protagonist to fight through, Sisu mostly sticks the landing in delivering a satisfying and fist-pumping cinematic experience.

Oppenheimer is a freakishly good match for Christopher Nolan, and it may well be his best work.

It might appeal to die-hard fans who want to see how it all ends, but for casual viewers who are looking for a fresh and exciting horror experience, it winds up feeling more like this door could've stayed shut.