“What lies beyond” Moana 2’s eye-catching animation and lavish island and ocean scenes, is a celebration of culture and identity that Disney has somehow gotten right after so many ill-fated attempts at representation in recent times.

Inside Out 2 is another easy home run for Pixar, especially when it has a strong message that everyone can relate to.

Rewatching The Phantom Menace sent me far beyond the realms of good or bad; I left with an admiration for a deeply strange film, and a slight cynicism that we may never quite see the likes of it again.

Offering up serviceable (if more than a tad messy) family fun, Haunted Mansion comes close to recapturing Disney's straight to home video glory, complete with a dance party finale.

Elemental shines is in its ability to gently guide you to realise the film’s crux yourself, and in the meantime, present you with vivid characters, fun antics and gorgeous animation along the way.

Rob Marshall’s The Little Mermaid truly feels like the culmination of Disney live-action remakes from the last few years. But this remake once again reminds us how unnecessary they are.

This is the way Phase Five of the Marvel Cinematic Universe starts — not with a bang, but with a family dramedy shrouded in visual effects and charming absurdity.

Summer of Soul is undoubtedly a stunning blend of art and rebellion not likely to ever be seen again on our screens.

Offering a slice of pulpy, moralistic sci-fi that feels like a throwback to before 2D animation had died, Strange World is good, lighthearted fun, gesturing gently at the hard-headed nature of father-son relationships.

Happy Disney+ Day.

Thor: Love and Thunder offers a colourful, lively enough diversion that should sate appetites until the next offering arrives, even if it doesn't necessarily accelerate the hype train.

Lightyear is an absolute feat of digitised filmmaking and some of the best animation I’ve ever seen.