From the producers behind The Worst Person In the World, comes one of the best features in the world… about the ACTUAL worst person in the world.

With far less stripping and far fewer banger tracks than one would expect for a movie about stripping, I declare Magic Mike’s Last Dance an official flop.

Millies Lies Low is an effective tragicomic story of the way we create truth to find our own, as well as the lengths we will go to and things we will have to lose to get to it.

Echoing the sentiments of displacement, dissociation and longing expressed in Dusapin’s debut, The Pachinko Parlour makes for a short, subdued and tender read. 

The Kardashian family makes their triumphant TV return in The Kardashians, and they’re here to pull back the curtain that was behind the curtain they pulled back for Keeping Up with the Kardashians.

Fans of Normal People, Fleabag and Marriage Story: rejoice. Your next fix of authentic romantic suffering has arrived.

Every so often, you get to watch a film that chills you to your core, and properly challenges your belief in the good of people and faith in human nature to care for one other. Even more unsettling so, sometimes that film can be a documentary. This is one of those films.

Miss Juneteenth is a beautiful, warm story about the difficulty of balancing current adolescent wishes, with past adolescent regrets.

Vivarium is a very grim picture of what parenting can really feel like, and a horrible perspective of the way people can lose what seems to be their entire lives to their children and mortgage…

Ben Wheatley’s latest comedy-drama boasts an extensive cast of fully fleshed out and detailed characters, each with their own independent storyline. But that is, unfortunately, about all it brings to the table.

Director Mirrah Foulkes manages to deconstruct the familiar dynamic of traditional 17th Century Punch and Judy puppet shows and show the gender-based violence at the core of not only these shows but also…

Sometimes for a good film, it feels like we just have to suffer through some brutal scenes that really require some teeth-gritting. Directed by Coralie Fargeat, Revenge (2017) puts us through our paces, asking us to endure a brutal rape and attempted murder in exchange for the retribution of seeing the transgressors suffer at the hands of a woman who will not have her dignity taken from her. 

Vox Lux considers the links between pop music and terrorism…

Standout performances from the trio of real pelicans…

Climax is, most aptly put, an assault to the senses of the viewer…

This British flick is not what it seems…