Though Queer has all the ingredients of a great drama, its delivery misses the mark. 

Reijn suggests that pleasure has an interstitial quality, making it neither good nor evil, only a key part of life.

Anora is a technical masterpiece - Baker’s approach to casting leads the audience to believe they’re watching a documentary instead of a drama.

Gladiator II is an ambitious film in desperate need of a shorter run time, but elements of creativity shine through.

Margherita Vicario’s directorial debut is a lively feature that sings with heartfelt moments and comedic witticisms alike, pulling audiences in for a story that is nothing short of glorious.

Prima Facie is a play that refuses to be taken at face value.

Unfortunately, Entitlement reminds audiences that no amount of social commentary, witticisms, or poignant themes can account for a total lack of story.

Colleen Hoover’s controversial smash hit novel, It Ends With Us, has just hit theatres in all its soapy Hallmark glory.

Guadagnino has served up a smash hit, and it’s up to audiences to decide what to do now that the ball is in their court.

Hood Witch is redolent of self-importance, so deeply invested in its own world that it barely pauses to consider the viewer’s ability not to care about its mediocre characters and plot delivery.