We Live In Time is a contemplative and slow-burning exploration of love, time, grief, and the human condition.

If you’re a huge fan of Love Actually and enjoy cringe-comedy that makes you laugh through second-hand embarrassment, this musical parody might be for you.

This full-length ballet captures the essence of Oscar Wilde’s complex world with a composition of grandeur, elegance, and emotional depth.

I hope this means something brilliantly captures the perils of isolation and the turbulence that can accompany bereavement, concurrently conveying the impact of the pressing need for action amidst despair.

The MIFF Accelerator Shorts 2 program included a staggering variety of films, all unique in terms of style and theme, but bound by a shared examination of escape, identity, and societal constraints. The diverse selection presented an invaluable insight into the potential of short films to communicate meaningful stories in a matter of minutes.

This rendition of A Streetcar Named Desire —one of my all-time favourites— was truly a masterpiece.