This full-length ballet captures the essence of Oscar Wilde’s complex world with a composition of grandeur, elegance, and emotional depth.

I hope this means something brilliantly captures the perils of isolation and the turbulence that can accompany bereavement, concurrently conveying the impact of the pressing need for action amidst despair.

This rendition of A Streetcar Named Desire —one of my all-time favourites— was truly a masterpiece.

If you’re into complex sinners, the inverse of the hot priest from Fleabag, provocative theatre, and social hypocrisy, then Ghosts is the play for you. 

Muthering Heights is a low-budget production with big ideas. It was certainly a unique opportunity to watch a fictionalised documentary about my own family played out on the stage of the Butterfly Club downstairs.

Normally I wouldn’t enjoy watching Incels for 100 minutes but SLUTNIK™ 2: Planet of the Incels was truly a pleasure to attend.

Christopher Fieldus aka the drag chanteuse Ms CeCe Rockefeller rounds off the end of this year’s ever-growing Melbourne Midsummer Festival with their cabaretica Devastating Beauty.

Once upon a time in Hawkins, Indiana, there lived a people chuffed with cliché. Their lives were a hit and their town never missed, what an unpleasant mess they’ve now found themselves in.

Before I knew it, I’d had a golden string tied around my wrist and I was sitting in a lecture, discerning the physics behind string theory. ‘Ah, a comedy science show’, I thought, ‘how quaint.’

She rose, she slayed, she conquered, but most importantly, she girlbossed.

The Melbourne Arts Centre hosted an evening of delight as a 17-strong troop of up-and-coming starlets cracked wise and levitated before our eyes in spectacular fashion in Girls With Attitude.

What I was expecting from this night out at the theatre, was high energy, excitement, tenderness and maybe a few good one-liners. I can happily say, that’s exactly what I got. 

Keep an eye on these bands, especially Radar’s new material, because it’s not the last time you’ll see their names in Melbourne.

Gripping through its lack of elaboration and enhanced by its creative solutions to keep the show afloat and on track, this one is great for a night of new experiences and audience participation.

This performance was something wholly unique, and beyond what can be provided in a cinema or on a streaming service.

The engine that is entirely driving this show is simply the desire to show off one’s most true self. It just so happens that this radical act of vulnerability is also set against an iconic Britney mega-mix. Run, don’t walk.

CLUB NITE showcases a night out where the three friends, a straight girl, a drug-dealing pansexual and a Berlin-loving bisexual, who all want to attend three separate well-known Melbourne hotspots - Yah Yahs, a house party, and a rave at Yarra bend.

Phantasmagoria is a story of untreated grief and trauma, and the attempts we continually make to ‘place’ these feelings within ourselves. 

Award-winning playwright Flick’s debut full-length play SLUTNIK™ explores a group of lesbian space cannibals, and if that three-word description doesn’t sell this play, I don’t know what will.

JESUS lived, Jesus Died, and Jesus has been resurrected again at Theatreworks. Not in a typical patriarchal way but a completely reimagined production with Jesus represented and played by a transgender woman.