Unbreakable is a celebration of Dokic as both a player and a person, cementing herself as one of the greatest names in tennis and a true role model.

This full-length ballet captures the essence of Oscar Wilde’s complex world with a composition of grandeur, elegance, and emotional depth.

Memory is bleak and hopeful at the same time, anchored by two excellent performances and a tender approach that takes its subject matter seriously. It demands patience and won’t be for everybody, but succeeds nevertheless. 

Smile 2 is a worthy sequel that, while not quite as groundbreaking as its predecessor, still offers plenty of great elements.

Encapsulating the unpredictable freneticism which helped form the genesis of its namesake, Saturday Night offers a compelling, if imperfect, peek behind the veil which concealed the chaos.

While Venom: The Last Dance can’t quite save Sony’s universe, it is still leaps and bounds ahead of some of its other entries.

Overall, Terrifier 3 proves that a little Yuletide seasoning and some punchy editing go a long way to finally giving Art the film he clearly deserves, a raucous and thoroughly cruel slasher fiesta that's sure to be a Halloween season hit.

Super/Man is a remarkably grounded and thoughtful profile of a man whom we all believed could fly – and maybe we still do.

It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

Margherita Vicario’s directorial debut is a lively feature that sings with heartfelt moments and comedic witticisms alike, pulling audiences in for a story that is nothing short of glorious.

SK Dale’s direct-to-streaming suckfest Subservience, […] dares to ask the brave question “what if we made the robot… sexy?”

Prima Facie is a play that refuses to be taken at face value.

Drawing out the melancholic chaos of its cinematic counterpart, The Penguin’s premiere episode enables a seamless transition in format – offering a richly textured character study which hooks you from minute aught. 

I hope this means something brilliantly captures the perils of isolation and the turbulence that can accompany bereavement, concurrently conveying the impact of the pressing need for action amidst despair.

If you like pretty Italian towns then you might find some enjoyment, but if you're looking for a compelling film I suggest you look elsewhere.

Locascio’s act was incredibly refreshing with his third-generation perspective, as well as an exploration of deeper themes like intergenerational trauma, and what it means to be an ethnic man in the 21st century.

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.

Go watch this show. It’s got a rocking soundtrack, a feminist cop, and a surprising number of discussions on road safety.

It's hard to say how the film will be received by audiences now, but it is sure to have an impact.

If you’re into Aussie battlers, beautiful Australian scenery, cute speedy dogs, and blatantly crying your heart out in public then Runt is the film for you.