Film Review - NT Live: Vanya
Images courtesy of Sharmill Films.
In the 127 years since Russian playwright Anton Chekhov published his four-act tragicomedy, Uncle Vanya, there have been countless adaptations; some good, some bad and some downright ugly (in the best way). In the spring of 2023, the play hit London’s West End stage once more but, this time, with a twist. Simon Stephens’ radical reimagining of Chekhov’s work, adeptly titled Vanya, took the form of a one-man play, helmed by none other than Andrew Scott. Now available to the public via National Theatre Live, it is undeniable that this rendition is something exceptional.
For those unfamiliar with the original text, Uncle Vanya offers a window into the lives of six individuals inhabiting a dilapidated estate in rural Russia. In typical Chekhov fashion, the play touches on themes of disillusionment, despondence, love, and isolation, all concealed under a charming, if not thin, comedic veil. With the soul of this story ultimately lying in its characters, one can’t help but question how Vanya can pull it off given it is down about five actors. It seems an impossible feat, however, as soon as Scott steps out on stage one feels foolish for ever doubting him.
Under Stephen’s skilfully adapted script, Scott’s true talent is fully realised as he delivers a Tour de Force Performance, which, to witness, is something akin to magic. Scott alternates between characters so rapidly that as mesmerising as it is, it’s also somewhat disturbing. He oozes delicious charm one minute then cruelty the next as we are taken on a tour of the impassioned conflicts and love trysts of the estate’s dwellers. Scott is wickedly funny and proves it is in fact possible to have chemistry with… yourself? When the curtains fall, and Scott returns for his final bow you would be forgiven for wondering where the rest of the cast has gone.
In the hands of Scott, this rendition doesn’t just work, it excels. Chekhov’s Uncle Vanya is a nuanced examination of the human condition. Vanya not only preserves this premise but, in its one-man format conveys it all the more poignantly. Every character, whilst at times absurd, works as a mirror reflecting ourselves: each is relatable. Scott, to then embody them all, is visually effective in suggesting that perhaps these characters are merely iterations of a singular person: of oneself.
Driven by a powerhouse performance, Vanya is devilishly funny, playful, and inextricably human. It will leave you laughing, but also questioning why it does so. The adapted script does a marvellous job of leaning into the facets of Uncle Vanya that remain relevant today – and there are many.
This is a highly accessible production. You do not need to have read the play or lived in rural Russia in the late 19th century to connect with this tale, you simply need to have lived.
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NT Live: Vanya is screening in select cinemas from Friday 8th March. For tickets and more info, click here.