This film proves that the rich cinematic style of Almodóvar transcends all kinds of language barriers. 

Encapsulating the unpredictable freneticism which helped form the genesis of its namesake, Saturday Night offers a compelling, if imperfect, peek behind the veil which concealed the chaos.

While Venom: The Last Dance can’t quite save Sony’s universe, it is still leaps and bounds ahead of some of its other entries.

Colleen Hoover’s controversial smash hit novel, It Ends With Us, has just hit theatres in all its soapy Hallmark glory.

Fly Me to the Moon is a trip definitely worth taking. Audiences will come for the thrills of space, but stay for the moving and human story at its centre. Whether you’re a rom-com fan, a space nerd, or a conspiracy theorist, there’s something here to satisfy everyone.

At the end of the day this is a reasonably satisfying and serviceable entry in the series, a Jerry Bruckheimer production through and through, and possibly my second favourite behind Bad Boys II.

Making sure to cater to both returning fans and new fans alike Code: White is by no means a perfect movie, but for what it is, it remains exemplary of good old fashion family fun.

This is a fun movie. Longtime fans will probably love Ghostbusters: Frozen Empire the most, but at the end of the day, it won’t grab the imagination of any new audiences.

I had quite a good time watching Madame Web. It's just the right blend of bad and confusing filmmaking, never quite finding a happy medium between corporate meddling and the naïve misguidedness of a first time director.

Anyone But You is a modern-day adaptation of Shakespeare’s Much Ado About Nothing, with none of the charm of an adaptation like 10 Things I Hate About You (1999).

Poignant and beautiful, The Boy and the Heron is both an interesting shift in theme and an excellent addition to Miyazaki’s extensive canon.

If you have no interest in historical accuracy and enjoy stunning cinematography, awkward romancing, spectacular war scenes, and hate the English, then Napoleon is the film for you. 

Leaving little room for seconds, Thanksgiving reminds us to be thankful for the simple pleasures that horror brings, and not unlike the dishes that might adorn a festive dinner table, there's plenty of corn to go around.

Gran Turismo is a video game film that has a great universal message: no matter how impossible your dreams may be, they can still be achieved - and the first step to that dream is buying a PS5.

Offering up a gold rush of entertaining action and ridiculous predicaments for its masochistically macho protagonist to fight through, Sisu mostly sticks the landing in delivering a satisfying and fist-pumping cinematic experience.

It might appeal to die-hard fans who want to see how it all ends, but for casual viewers who are looking for a fresh and exciting horror experience, it winds up feeling more like this door could've stayed shut.

All-in-all, there have been ten stand-alone Spider-Man movies since 2002. They’ve all been pretty good, but Across the Spider-Verse is the most ambitious, most beautiful, and most satisfying one yet.

While The Pope's Exorcist won't be everyone's cup of tea, for horror fans willing to drop their guard a little bit and embrace a film that's more silly than scary, it's just good, dumb fun.

As the feature debut from directors Nicholas D. Johnson and Will Merrick - the editors of Searching, the film goes to town on inventive editing techniques and uses all the comforts of technology that we take for granted, twisting them into complete discomfort for a layer of tension that stays through almost the whole film.

What are you expecting from a Sony rendition of a decades old kid’s cartoon strip about a singing crocodile, adapted for the big screens for 2022 with Shawn Mendes taking the lead as the titular Lyle, the crocodile?