While Venom: The Last Dance can’t quite save Sony’s universe, it is still leaps and bounds ahead of some of its other entries.

Overall, Terrifier 3 proves that a little Yuletide seasoning and some punchy editing go a long way to finally giving Art the film he clearly deserves, a raucous and thoroughly cruel slasher fiesta that's sure to be a Halloween season hit.

Super/Man is a remarkably grounded and thoughtful profile of a man whom we all believed could fly – and maybe we still do.

It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

Margherita Vicario’s directorial debut is a lively feature that sings with heartfelt moments and comedic witticisms alike, pulling audiences in for a story that is nothing short of glorious.

SK Dale’s direct-to-streaming suckfest Subservience, […] dares to ask the brave question “what if we made the robot… sexy?”

Prima Facie is a play that refuses to be taken at face value.

Drawing out the melancholic chaos of its cinematic counterpart, The Penguin’s premiere episode enables a seamless transition in format – offering a richly textured character study which hooks you from minute aught. 

I hope this means something brilliantly captures the perils of isolation and the turbulence that can accompany bereavement, concurrently conveying the impact of the pressing need for action amidst despair.

If you like pretty Italian towns then you might find some enjoyment, but if you're looking for a compelling film I suggest you look elsewhere.

Locascio’s act was incredibly refreshing with his third-generation perspective, as well as an exploration of deeper themes like intergenerational trauma, and what it means to be an ethnic man in the 21st century.

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.

Go watch this show. It’s got a rocking soundtrack, a feminist cop, and a surprising number of discussions on road safety.

It's hard to say how the film will be received by audiences now, but it is sure to have an impact.

If you’re into Aussie battlers, beautiful Australian scenery, cute speedy dogs, and blatantly crying your heart out in public then Runt is the film for you. 

Unfortunately, Entitlement reminds audiences that no amount of social commentary, witticisms, or poignant themes can account for a total lack of story.

From my formerly substantial experience with the Transformers fandom I can say that this will please them, and whether you choose to interpret that as an indictment on them is up to you!

If you’re going to see one animated robot film this spring, check out The Wild Robot.

The MIFF Accelerator Shorts 2 program included a staggering variety of films, all unique in terms of style and theme, but bound by a shared examination of escape, identity, and societal constraints. The diverse selection presented an invaluable insight into the potential of short films to communicate meaningful stories in a matter of minutes.

Yikes. Just yikes.