Upshot is a perfect example of utilising simplicity to underline the horror of reality.

Amarndo Iannacci and Sean Foley’s theatre adaptation of Dr. Strangelove is a fun but somewhat lacklustre spectacle.

There is a lot to like about Sinners for any movie-goer.

Sword of Silence believes in the strength of [its] ‘unique’ visual style to carry the film’s shortcomings, which unfortunately still manage to detract from the feature’s overall potential.

Mr. K is ambitious, imaginative and impressive, but the setup is unfortunately better than the payoff.

Aside from the fact that you may struggle to eat tomatoes for a short period of time, Parish Malfitano’s sophomore film is nothing short of spectacular. 

The equal helping of fights and jokes should be guaranteed to make action aficionados laugh and comedy connoisseurs flinch.

Warfare does an incredible job of fulfilling what its creators set out to do: to present the SEALS in as authentic a way as possible, and simulate a real life combat scenario.

The name of her solo show Just Because I’m Crying Doesn’t Mean I’m Not Having a Nice Time has both a truth and a lie embedded in the title. I was crying (on the inside) but I wasn’t having a nice time. 

If the goal of A Minecraft Movie is to entertain fans of the game and their parents while turning a profit, then based on the crowd's reaction, the movie does its job.

Fantastic Film Festival Australia (FFFA) is back for its 2025 programming, and cinephiles with a taste for the experimental, esoteric, and independent, brace yourselves!

The conflicting adaptation of Tom Michell’s memoir, The Penguin Lessons, swerves between a lighthearted comedy and political drama.

The Correspondent actually offers a rather insightful narration of Australian journalist Peter Greste’s experience during his incarceration in Cairo back in 2014. 

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

Small Things Like These is a poignant title for an arresting film, as it’s the little uncomfortable things director Tim Mielants wants you to become familiar with.

It’s a post-Bluey world and children deserve better from animated dog properties, let alone adults who might be drawn in by Dog Man’s appealing art.

The Count of Monte Cristo, directed and written by french duo Alexandre de La Patelliere and Matthieu Delaporte, is a three hour epic worthy of the source material.

Nijinsky is a breathtaking tribute to one of ballet’s most enigmatic figures. […] A truly indelible experience.

Five stars out of five for this outstanding and deeply affecting performance.